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Teardrop's standout performance must be mentioned as well: he wielded the spacey oscillations of his theremin solo with a control both convulsive and focused. It was quite impressive, as was Quinlan's powerful vocal bravado, which had little need for amplification. And while there are, of course, touchstones in the past with hints of Peter Murphy's solo work, the dark electronic aura of Violator, Marc Almond's erotic torch singing, and the fragility of chromatic piano offset by aggressive guitars as found in classic Nine Inch Nails, there is no anxiety of influence. All of these elements are part of the sinewy sonic bricolage Revel Hotel weave so adroitly. So when the synth line from the beginning returned to close out the performance, I was a little crushed, yet somehow reinvigorated by this new aural synthesis. Revel Hotel's debut album, currently in the mixing process, cannot come out too soon. I am certainly not the only one from the crowd last night who will be waiting with baited breath until then...
(Photo by Ms. Natalie Kocsis.)
3 comments:
you are wonderful. thank you so much for these kind words!
I only speak the truth! (well, *my* truth, that is ;)
Thank you Kristen for more of your Very Rare kind words as always, and thanks to Revel Hotel for the fantastic performance, everyone in the Wierd World is looking forward to the debut LP!
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